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Unity Charity: Empowering Youth Through Hip Hop

by Uni­ty Char­i­ty (Adri­an Bernard, Clin­ton Ghosh)

Dura­tion: Pro­grams range from half-day work­shops to 10-week programs

Learn about Uni­ty Char­i­ty, a nation­al char­i­ty ded­i­cat­ed to empow­er­ing youth aged 13–29 through hip hop pro­grams in all art forms, includ­ing beat­mak­ing, MC, graf­fi­ti, break­danc­ing, and spo­ken word. Pro­grams are all…

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Kehewin Native Dance Theatre: Healing through Songwriting for Indigenous Youth

by Kehewin Native Dance The­atre (Rosa John and Melvin John)

Dura­tion: 12-weeks ses­sions at each school and 3 days at end of school year

Explore the project Naskwa­hamâ­towin (Cree, mean­ing ‘let’s all share in the music), imple­ment­ed by Kehewin Native Dance The­atre in cen­tral Alber­ta, in part­ner­ship with the nation­al NGO Make Music Mat­ter, sup­port­ed with…

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Geremia Lodi — On Making Music With Former Inmates

by Geremia Lodi

Type of Project: Program

As part of the Music in Incar­cer­a­tion & Reha­bil­i­ta­tion Resource, Geremia Lodi describes his expe­ri­ence work­ing with for­mer inmates in a tran­si­tion com­mu­ni­ty pro­gram, the pos­si­ble ben­e­fits of imple­ment­ing music pro­grams in…

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Moe Clark — On Making Music with Indigenous Youth In Lockdown and Carceral Settings

by Moe Clark

Type of Project: Program

As part of the Music in Incar­cer­a­tion & Reha­bil­i­ta­tion Resource, Moe Clark describes her expe­ri­ence as a two-spir­it Métis artist mak­ing music with at-risk Indige­nous youth in lock­down and car­céral set­tings. She…

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Hugh Chris Brown — On Making Music in Prisons

by Hugh Chris Brown

Orga­ni­za­tion: Pros & Cons

Type of Project: Program

As part of the Music in Incar­cer­a­tion & Reha­bil­i­ta­tion Resource, Hugh Chris Brown describes his expe­ri­ence in mak­ing music in his pro­gram Pros & Cons and it’s ori­gins, the effi­ca­cy of music…

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Leah Abramson — On Making Music In Prisons

by Leah Abramson

Type of Project: Program

As part of the Music in Incar­cer­a­tion & Reha­bil­i­ta­tion Resource, Leah Abram­son describes her expe­ri­ences mak­ing music in a wom­en’s prison in the project Women Rock, the chal­lenges she encoun­tered, and what…

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Energy Matters Workshop (Part A): Embodied Listening to Energy Crisis

by Shu­maila Hemani

Type of Project: Activity

Art caus­es peo­ple to ques­tion or con­sid­er their own beliefs, assump­tions, or val­ues. It can offer new pos­si­bil­i­ties, solu­tions, and alter­na­tives to cur­rent con­di­tions. Sound Arts enhance our capac­i­ty to notice the world…

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Energy Matters Workshop (Part B): An Auditory Approach to Energy Accessibility

by Shu­maila Hemani

Type of Project: Activity

Dura­tion: 90 minute workshop

Art can become a means to inte­grate mar­gin­al­ized voic­es into the con­ver­sa­tion. It can voice aspects of the issue not oth­er­wise expressed in pub­lic doc­u­ments or pol­i­cy state­ments. Art helps us to lis­ten better.…

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Energy Matters Workshops (PART C): Deep Listening to Energy Accessibility with Sound Recording Activities

by Shu­maila Hemani

Type of Project: Activity

Dura­tion: 90 minutes

The Ener­gy Mat­ters work­shop series was locat­ed at the inter­sec­tions of inter­dis­ci­pli­nary and par­tic­i­pa­to­ry sound art for cli­mate action and jus­tice, involv­ing sto­ries, sounds, word bub­bles, ges­tures, and move­ment. In these workshops,…

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Preserving Language Through Music and Film

by Julia Wed­er, Jiixa (Gladys Vandal)

Type of Project: Activity

Dura­tion: Varies — gen­er­al­ly 30 hours over a 1–2 month period.

A music video project by the duo Siijuu Jaadas Cool Ladies, con­sist­ing of Hai­da Elder, weaver, and lan­guage teacher Jiixa (age 84), along with set­tler Julia (age 25). Julia makes the music…

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Pros and Cons: Building meaningful programming in correctional institutions

by Hugh Chris Brown

Orga­ni­za­tion: Pros and Cons Prison Music Program

Type of Project: Program

Dura­tion: On-going

The Pros and Cons Prison Music Pro­gram was ini­ti­at­ed as a response to the clo­sure of the agri­cul­tur­al pro­grams in Cana­di­an pris­ons, and from the out­set was run with the inten­tion of…

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