I am very happy and proud to serve as a board member for the CNMN. My first encounter with the CNMN was the forum in Halifax 2010. The experience of a community of artists, presenters and producers from all over the country coming together to one place for three days to exchange, talk, plan, dream and make music was a true revelation.
On that weekend this huge country – roughly the size of Europe but less than 5% of its population – started to reveal a musical identity to me, through all the people I had heard of but had never met, all the composers, performers and presenters I knew but had no personal relationship. The forums that followed have helped me immensely to understand the cultural life of Canada.
Through my work with Quatuor Bozzini I have experience in networking, in touring, in creating new work, and in co-directing a small and very active company: this is what I want to bring to the CNMN board. At the same time, I am looking forward to exchange with my Board colleagues and learn from what they are bringing to the table. It is a very important time for music in Canada and for music from Canada, and I am happy to help developing it.
Clemens Merkel’s unconventional sound defines a new sensibility in contemporary music, through its intimate purity of tone, its settled understanding of microtonal or unconventional harmonic language, and its unhurried sensitivity. He is well known for innovative interpretations of Bach and John Cage, and is sought after by composers worldwide as an inspiration for new repertoire. His diverse collaborators range from the Wandelweiser collective to Montréal’s Musique Actuelle community, and from emerging experimentalists to today’s most revered composers.
Since 1999, Merkel’s unusual sound has fused with that of the Quatuor Bozzini, considered one of the world’s leading string quartets. Together they have mentored an entire generation of creators through the Composer’s Kitchen; have released numerous critically acclaimed albums on their collection qb label; undertake multiple tours annually to be featured at festivals worldwide; and maintain a profound impact on the music scene across Canada and Europe in particular. They nourish Montréal audiences with unusual self-produced events that bridge worlds and cross boundaries of style, generation and culture.
Following an early career in Europe, where he contributed to the continent’s leading ensembles, Merkel has made Montréal his home since 2000. He supports and advocates for new music in Québec and in Canada, and is regularly sought after as speaker, curator and adviser. His presence is felt in academia as well, through articles written for the Revue Circuit, and through his teaching at Concordia University. He’s a passionate chef and lives in Montréal’s Portuguese neighborhood together with his wife Isabelle Bozzini and children Félix and Béatrice.