What's New

CALL FOR APPLICATIONS: EXECUTIVE DIRECTOR

Date Post­ed: Jan­u­ary 26, 2026
Appli­ca­tion Dead­line: Feb­ru­ary 28, 2026
Start Date: ASAP 2026
Orga­ni­za­tion’s Field/Discipline: The Arts — Music and sound
Term: Min­i­mum one year as of start date
Career Lev­el: Upper man­age­ment

ABOUT CNMN/RCMN — New name RCMSN

The Cana­di­an New Music Net­work (CNMN) / Réseau cana­di­en pour les musiques nou­velles (RCMN) con­nects cre­ative music and sound com­mu­ni­ties across Cana­da. We val­ue cre­ativ­i­ty and inno­va­tion, and devel­op our pro­gram­ming through a lens of arts activism. We wel­come cre­ators, per­form­ers, writ­ers, arts pro­duc­ers, arts work­ers, ensem­bles large and small, pro­duc­tion com­pa­nies, pre­sen­ters, record labels, music edu­ca­tors, music media and tech work­ers and cre­ators, musi­col­o­gists, and listeners.

With­in the next year, CNMN will com­plete its tran­si­tion to a new name and bilin­gual acronym:  RCMSN. This name reflects both the French name (Réseau de créa­tion musi­cale et sonore), and the Eng­lish (Cre­ative Music and Sound Net­work)A new inter­ac­tive web­site is also in devel­op­ment; these changes offer scope and breadth to our com­mu­ni­ty, inclu­sive of prac­ti­tion­ers and advo­cates for music and sound in many dif­fer­ent forms.  Mov­ing away from the in-per­son Forum mod­el of pre­vi­ous years, our focus now will be on the strength­en­ing of our online hub, encour­ag­ing man­i­fold sound prac­tices, offer­ing prag­mat­ic resources to our mem­bers, and fea­tur­ing new ways to stay in touch across our vast and diverse country.

Since 2005 CNMN has sup­port­ed com­mu­ni­ty build­ing and net­work­ing, offer­ing edu­ca­tion­al and com­mu­ni­ty resources for pro­fes­sion­als and non-pro­fes­sion­als alike. CNMN mem­bers sup­port each oth­er and share oppor­tu­ni­ties and ideas, includ­ing how artists can col­lab­o­rate and advo­cate for social jus­tice and envi­ron­men­tal resilience.

RCMSN is com­mit­ted to a diverse and inclu­sive nation­al cre­ative music and sound com­mu­ni­ty. Diver­si­ty in all its forms (race, cul­ture, gen­der iden­ti­ty, sex­u­al ori­en­ta­tion, reli­gion, lan­guage, phys­i­cal abil­i­ty, age, and aes­thet­ic) is a guid­ing fac­tor in achiev­ing its goals.

CNMN’s activ­i­ties include: a bilin­gual web­site — with a search­able list­ing of mem­bers and resources; the PCM Hub, show­cas­ing cre­ative com­mu­ni­ty music projects; and reg­u­lar events focussed on arts activism and aware­ness, knowl­edge shar­ing, com­mu­ni­ty build­ing, and networking.

RCMSN rep­re­sents its mem­ber­ship and cre­ative music and sound arts to fed­er­al fund­ing bod­ies, oth­er arts organ­i­sa­tions, and the media.

CNMN is a ful­ly bilin­gual organ­i­sa­tion, com­mit­ted to com­mu­ni­cat­ing with its mem­bers in both offi­cial lan­guages. CNMN is com­mit­ted to pro­mot­ing diver­si­ty with­in the com­mu­ni­ty and seek­ing rec­on­cil­i­a­tion with Indige­nous Peo­ples in Canada. 

JOB DESCRIPTION

MAIN RESPONSIBILITIES OF THE EXECUTIVE DIRECTOR

  • Direct­ing and over­see­ing all admin­is­tra­tive aspects of the organization. 
  • Work­ing close­ly with the Board of Direc­tors to artic­u­late the organization’s vision, mis­sion and goals.
  • Main­tain­ing RCM­SN’s strong com­mu­ni­ty con­nec­tion through com­mu­ni­ty engage­ment, net­work­ing with nation­al arts organizations.
  • Over­see­ing the cur­rent major project of re-mak­ing the web­site accord­ing to the pre-deter­mined vision estab­lished by the pre­vi­ous direc­tor, board of direc­tors and staff. You would be work­ing close­ly with a web­mas­ter, bring­ing your spe­cif­ic exper­tise and expe­ri­ence to con­tribute to and over­see the process. 
  • Man­ag­ing all fis­cal mat­ters includ­ing bud­get devel­op­ment, fore­cast­ing, and man­age­ment of oper­a­tional and project budgets.
  • Lead­ing and sup­port­ing grant writ­ing and fundrais­ing efforts with staff and/or grant writ­ers to secure fund­ing through arts coun­cils and foundations.
  • Imple­ment­ing the Google for Non-Prof­its sys­tem, and over­see­ing the pro­to­cols asso­ci­at­ed with Québec’s Loi 25.
  • Work­ing close­ly with the com­mu­ni­ca­tion’s man­ag­er and admin­is­tra­tive assis­tant as a col­lab­o­ra­tive, inter­de­pen­dent unit.
  • Hir­ing and man­ag­ing extra con­tract staff as required.
  • Avail­abil­i­ty to work on week­ends, evenings and stat hol­i­days as need­ed to par­tic­i­pate in sig­nif­i­cant events.

YOU BRING TO THIS ROLE

  • Train­ing in arts admin­is­tra­tion or equiv­a­lent experience
  • Knowl­edge of and excite­ment about cre­ative music and sound prac­tices and com­mu­ni­ties in Cana­da and abroad
  • Inter­est in and gen­er­al under­stand­ing of web-devel­op­ment is a strong attribute, though not required.
  • Strong com­mu­ni­ca­tion skills. Flu­en­cy in both French and Eng­lish would be an asset
  • Lead­er­ship expe­ri­ence and the abil­i­ty to man­age a team of 2 members
  • Capac­i­ty to com­mu­ni­cate effi­cient­ly and report back to the board of directors.
  • Strong finan­cial man­age­ment skills, espe­cial­ly in the non-prof­it cul­tur­al sector
  • Excel­lent inter­per­son­al skills and abil­i­ty to work with indi­vid­u­als and groups in decision-making
  • Expe­ri­ence and com­mit­ment in fos­ter­ing a cul­ture of inclu­sion and diversity
  • Famil­iar­i­ty with dig­i­tal tools includ­ing Excel, Word, Word­Press, Adobe Suite, Face­book, YouTube, Insta­gram as well as col­lab­o­ra­tion tools such as Google Suite

WE OFFER

  • Flex­i­ble scheduling 
  • Remote work environment

POSITION DETAILS

  • Report­ing to: Board of Directors
  • Con­tract terms: half-time con­tract (20 hours per week for 48 weeks), 1 year term with pos­si­bil­i­ty to renew as fund­ing allows — this is also sub­ject to mod­i­fi­ca­tion by poten­tial­ly increas­ing the amount of bill­able hours 
  • Com­pen­sa­tion: $30-$35/hr based on expe­ri­ence and skills of the cho­sen candidate.

Note: This is a remote work posi­tion. The two part-time staff are locat­ed in Montréal.

HOW TO APPLY

Please email your resume and cov­er let­ter by Feb­ru­ary 28 to the fol­low­ing two addresses:

ATTN: CNMN Board Search Com­mit­tee + CC Lib­erté-Anne Lym­be­ri­ou (board co-pres­i­dent) assistant.cnmn@gmail.com cc l.a.lymberiou@gmail.com

Inter­views will be held by videoconferencing.

To learn more about CNMN/RCMN, please vis­it our web­site: www.newmusicnetwork.ca | www.reseaumusiquesnouvelles.ca

PCM Hub Open Call 2025–2026

The Cana­di­an New Music Net­work is excit­ed to call for Par­tic­i­pa­to­ry Cre­ative Music Projects to be host­ed on the online Par­tic­i­pa­to­ry Cre­ative Music Hub. Suc­cess­ful appli­cants will be pro­vid­ed fund­ing for doc­u­men­ta­tion of an exist­ing project.

Amount of grant: $600.00

Appli­ca­tion dead­line: Feb­ru­ary 27, 2026

Appli­ca­tion form

Dead­line for sub­mis­sion of doc­u­men­ta­tion of cho­sen projects via online upload form: May 1, 2026.

What is Participatory Creative Music? 


Accord­ing to the Cana­di­an New Music Network’s Pub­lic Engage­ment Com­mit­tee, Par­tic­i­pa­to­ry Cre­ative Music is a mul­ti­tude of approach­es to cre­at­ing music in which every­one involved, regard­less of their pri­or expe­ri­ence in mak­ing music, has active input in the cre­ative process. Author­ship and deci­sion-mak­ing is shared to greater or less­er degrees, depend­ing on context.

For more infor­ma­tion and clar­i­fi­ca­tion, see Key­word Def­i­n­i­tions.

What is the Participatory Creative Music Hub?


The Hub show­cas­es peo­ple from all walks of life cre­at­ing music togeth­er. What­ev­er you call it – par­tic­i­pa­to­ry cre­ative music, com­mu­ni­ty music, jam­ming, co-com­po­si­tion, impro­vi­sa­tion, music explo­ration, lis­ten­ing games or hav­ing fun with sound – The Hub cel­e­brates music cre­ativ­i­ty for everyone. 

The main cri­te­ria for projects is that all par­tic­i­pants have active input in the cre­ative process, whether they are 4, 40 or 94 years of age, an expe­ri­enced musi­cian or mak­ing music for the first time.

What is an eligible project?


An eli­gi­ble project is a par­tic­i­pa­to­ry cre­ative music activ­i­ty already occur­ring in the com­mu­ni­ty, whether on-going or com­plet­ed. Projects may take place in the fields of health care, edu­ca­tion, social ser­vices, pris­ons and more. 

While not exclu­sive to this par­tic­i­pant group, we would like to encour­age sub­mis­sions of projects occur­ring with chil­dren and youth in the com­mu­ni­ty, includ­ing inter­gen­er­a­tional projects. Projects out­side of for­mal school set­tings are strong­ly encour­aged, includ­ing those projects that serve chil­dren and youth in excep­tion­al cir­cum­stances. Exam­ples of par­tic­i­pants include, but are not restrict­ed to:

  • New­com­er fam­i­lies in com­mu­ni­ty centres,
  • Street-affect­ed youth groups or group homes, 
  • Patients ages 3–5 years of age in chil­dren’s hospitals, 
  • and more!

Eli­gi­ble projects are wide and var­ied. Pri­or­i­ty will be giv­en to facil­i­ta­tors who are sub­mit­ting a project to the Hub for the first time.

See the Project page for exam­ples of Hub projects. 

See Key­word Def­i­n­i­tions for terminology.

Documentation


The pur­pose of this grant is to sup­port doc­u­men­ta­tion of an exist­ing PCM project to pro­vide inspi­ra­tion and tools for user groups of the Hub to make their own music. It is cru­cial that doc­u­men­ta­tion is instruc­tion­al in nature, rather than pro­mo­tion­al. Links to bio­graph­i­cal infor­ma­tion via a CNMN mem­ber page and exter­nal links are pos­si­ble on the project webpage.

Cultivating a Portfolio Career with Participatory Music

On Thurs­day, Novem­ber 20, from 3:30 to 5pm (EDT), join the Lau­ri­er Cen­tre for Music in the Com­mu­ni­ty and the Cana­di­an New Music Net­work for a sec­ond vir­tu­al pro­fes­sion­al devel­op­ment ses­sion for par­tic­i­pa­to­ry music prac­ti­tion­ers, fea­tur­ing Cana­di­an musi­cians who have cul­ti­vat­ed par­tic­i­pa­to­ry music projects through­out the course of their mul­ti­fac­eted careers in per­form­ing, com­pos­ing, teach­ing, and facilitating.

This free talk is part of the Pro­fes­sion­al Devel­op­ment Series: Grow your career in Par­tic­i­pa­to­ry Music. Oth­er top­ics for the year will focus on engag­ing in out­reach, part­ner­ship build­ing, and how to eval­u­ate impact.

Reg­is­tra­tion for the vir­tu­al ses­sion is free. The Zoom link will be emailed to you a few days in advance.

Invitation to the Canadian New Music Network’s 2025 Annual General Meeting and Board elections

We look for­ward to see­ing you on Tues­day, Octo­ber 7, 2025, at noon EDT, for CNM­N’s Annu­al Gen­er­al Meet­ing. The Gen­er­al Meet­ing will be an oppor­tu­ni­ty to present the 2024–2025 annu­al report, and to vote in new mem­bers for the Board of Direc­tors for the 2025–2027 mandate.


Please make sure your 2025 mem­ber­ship dues are paid if you would like to vote, and remem­ber that mem­ber­ship fees are PWYC.


The Cana­di­an New Music Net­work invites You to help shape our future! We are look­ing for nom­i­na­tions to our Board of Direc­tors. You can nom­i­nate your­self, or anoth­er indi­vid­ual. Elect­ed by CNMN mem­bers at our AGM in the Fall of 2025, Board mem­bers serve two-year terms which are renew­able. Please sub­mit your CNMN Board nom­i­na­tion form by Sep­tem­ber 30, 2025.


As a Board mem­ber you will play an active role in shap­ing and mov­ing for­ward this impor­tant part of the Cana­di­an music and sound art scene. We would be par­tic­u­lar­ly inter­est­ed in:

  • Nom­i­na­tions from Atlantic Provinces
  • Peo­ple with expe­ri­ence in finance, pub­lic rela­tions, and gov­er­nance (desir­able but not required)

The Board meets reg­u­lar­ly and works close­ly, this year devel­op­ing some excit­ing new ini­tia­tives. Expec­ta­tions of your time would be 3–4 hours a month, includ­ing meet­ings, and group or indi­vid­ual tasks. We invite you to join us with your ener­gy and ideas, as we con­tin­ue our nation­al web of arts professionals.

Planting Seeds: How to initiate a Participatory Music Project

On Thurs­day, Sep­tem­ber 25, from 3:30 to 5pm (EDT), join the Lau­ri­er Cen­tre for Music in the Com­mu­ni­ty and the Cana­di­an New Music Net­work for a vir­tu­al pro­fes­sion­al devel­op­ment ses­sion for par­tic­i­pa­to­ry music prac­ti­tion­ers, fea­tur­ing two Cana­di­an musi­cians who ini­ti­at­ed par­tic­i­pa­to­ry music projects that have thrived over years.

This free talk is part of the Pro­fes­sion­al Devel­op­ment Series: Grow your career in Par­tic­i­pa­to­ry Music. Oth­er top­ics for the year will focus on grow­ing a port­fo­lio career, engag­ing in out­reach, part­ner­ship build­ing, and how to eval­u­ate impact.

Reg­is­tra­tion for the vir­tu­al ses­sion is free. The Zoom link will be emailed to you a few days in advance.

GIFT — Social Prescribing as an Improvisatory Practice

Ini­ti­at­ed by musi­cian and Par­tic­i­pa­to­ry Cre­ative Music Hub’s Project Lead, Louise Camp­bell, the GIFT project presents works for solo clar­inet, solo trum­pet, elec­tron­ics and video pro­jec­tion, and is infused with the gen­eros­i­ty of shared expe­ri­ences and co-cre­ation processes. 

On the occa­sion of GIFT and as part of FLUX, we are pleased to invite you to the dou­ble launch par­ty of CNM­N’s Cre­ative Music in Health resource as well as Revue Cir­cuit’s issue 34.2 on Par­tic­i­pa­to­ry Cre­ative Music. The evening’s events will include:

  • A lec­ture on Social Pre­scrib­ing as an Impro­visato­ry Prac­tice and asso­ci­at­ed health out­comes, mod­er­at­ed by Dr. Rebec­ca Barnstaple;
  • A Round Table dis­cus­sion fea­tur­ing guests Pierre Vachon (La SAMS’ Cofounder), Ter­ri Hron (Edi­tor of Revue Cir­cuit) and Louise Camp­bell (GIFT’s Artis­tic Director); 
  • An inter­ac­tive demon­stra­tion of arts and health ani­ma­tion, led by Dr. Rebec­ca Barn­sta­ple and Louise Campbell.

Doors open at 5:30pm for snacks at 5:30pm with dis­cus­sions and activ­i­ties at 6:00pm!On Octo­ber 8 and 9 at Édi­fice Wilder, join us for the GIFT con­cert and its post-con­cert talk!

FLUX Festival:  Sound and Collective Reflections

The Cana­di­an New Music Net­work is delight­ed to announce the launch of FLUX, a new fes­ti­val that aims to fos­ter greater inclu­siv­i­ty and to val­ue the diver­si­ty of our music and sound communities. 

From Octo­ber 4 to 10, 2024, five venues and sev­en local orga­ni­za­tions invite you to reimag­ine Montréal’s sound­scape around the theme: Sound and Col­lec­tive Reflections 

For sev­en days, FLUX will present a diverse line­up of local and inter­na­tion­al artists, offer­ing a rich tapes­try of sounds and expe­ri­ences for every­one who per­forms and lis­tens to exper­i­men­tal music.

The fes­ti­val will also host work­shops, artists talks, com­mu­ni­ty round­ta­bles, and an aca­d­e­m­ic con­fer­ence, encour­ag­ing dia­logue and col­lab­o­ra­tion with­in and across communities. 

Ini­ti­at­ed by Arts in the Mar­gins, FLUX is the out­come of reflec­tion and col­lab­o­ra­tion between sev­er­al cre­ative music orga­ni­za­tions, includ­ing Inno­va­tions en con­cert, Mar­di Spaghet­ti, Le Vivi­er, the Cana­di­an New Music Net­work, McGill’s Lab­o­ra­to­ry of Urban Cul­ture, and the Inter­na­tion­al Insti­tute for Crit­i­cal Stud­ies in Impro­vi­sa­tion.

St John’s- Sound Symposium

Sus­tain­able Futures: How can music orga­ni­za­tions respond to the cli­mate emer­gency and its social impacts ?

As part of the Sound Sym­po­sium Fes­ti­val the Cana­di­an New Music Net­work is pleased to invite you to a con­ver­sa­tion on ways to envi­sion a sus­tain­able future for artists and orga­ni­za­tions involved in music and sound cre­ation, as well as for cul­tur­al work­ers and audiences.part of the Long­shad­ow Fes­ti­val, the Cana­di­an New Music Net­work is pleased to invite you to a con­ver­sa­tion on ways to envi­sion a sus­tain­able future for artists and orga­ni­za­tions involved in music and sound cre­ation, as well as for cul­tur­al work­ers and audiences.

July 17, 2024 from 1:30pm at the First Light Event Space, 42 Ban­ner­man Street in St. John’s, NL.

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

·       How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?

·  How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?

·  What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sec­tor? What is rea­son­able or radical?

·  How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the chal­leng­ing emo­tions that trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 

· How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

For more infor­ma­tion on our ongo­ing series of Con­ver­sa­tions, please check out our Sus­tain­able Futures Meet­ings’ Report.

This con­ver­sa­tion will be mod­er­at­ed by Raphaël Foisy-Cou­ture, CNMN’s Exec­u­tive Direc­tor, in part­ner­ship with Ter­ri Hron, Musi­cian and Chief Edi­tor of Revue Cir­cuit, and for­mer CNMN’s ED as well as Sus­tain­able Futures Project Lead.

The dis­cus­sion will be intro­duced by a short musi­cal activ­i­ty by Kathy Kennedy.

Food and bev­er­ages will be provided.

Please RSVP at: dir@reseaumusiquesnouvelles.ca

CNMN would like to thank the Sound Sym­po­sium fes­ti­val for its gen­er­ous hos­pi­tal­i­ty and for their help in mak­ing this con­ver­sa­tion possible.

CNMN acknowl­edge the finan­cial sup­port of FACTOR, the Gov­ern­ment of Cana­da and of Cana­das pri­vate radio broadcasters.

Yellowknife — Longshadow

Sus­tain­able Futures: How can music orga­ni­za­tions respond to the cli­mate emer­gency and its social impacts ?

As part of the Long­shad­ow Fes­ti­val, the Cana­di­an New Music Net­work is pleased to invite you to a con­ver­sa­tion on ways to envi­sion a sus­tain­able future for artists and orga­ni­za­tions involved in music and sound cre­ation, as well as for cul­tur­al work­ers and audi­ences. This con­ver­sa­tion marks an impor­tant mile­stone in the exis­tence of CNMN, as it is our first par­tic­i­pa­tion in an event in Yel­lowknife and the North­west Territories! 

June 9th, 2024, from 11 am to 1 PM at Car­men Braden’s stu­dio — above Fiddles+Stix Music Store, 5018–52nd Street, 2nd floor.

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

·       How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?

·  How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?

·  What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sec­tor? What is rea­son­able or radical?

·  How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the chal­leng­ing emo­tions that trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 

· How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

For more infor­ma­tion on our ongo­ing series of Con­ver­sa­tions, please check out our Sus­tain­able Futures Meet­ings’ Report.

This con­ver­sa­tion will be mod­er­at­ed by Raphaël Foisy-Cou­ture, CNMN’s Exec­u­tive Direc­tor, in part­ner­ship with Car­men Braden, founder and co-direc­tor of the Long­shad­ow Fes­ti­val. This con­ver­sa­tion will include short pre­sen­ta­tions by Rob Elo and the Gar­neau String Quartet. 

Food and bev­er­ages will be provided.

Please RSVP at: dir@reseaumusiquesnouvelles.ca or at producer@carmenbraden.com

CNMN would like to thank the Long­shad­ow fes­ti­val for its gen­er­ous hos­pi­tal­i­ty and for their help in mak­ing this con­ver­sa­tion possible.

CNMN acknowl­edges the finan­cial sup­port of FACTOR, the Gov­ern­ment of Cana­da and of Canada’s pri­vate radio broadcasters.

CALL FOR APPLICATIONS: EXECUTIVE DIRECTOR

Date Post­ed: Octo­ber 24, 2023
Appli­ca­tion Dead­line: Jan­u­ary 15, 2024
Start Date: Feb­ru­ary 2024
Province: Que­bec or Ontario — oth­er provinces con­sid­ered
City: Mon­tréal or Toron­to — oth­er cities con­sid­ered
Orga­ni­za­tion’s Field/Discipline: The Arts
Term: Feb­ru­ary 1, 2024 — Jan­u­ary 31, 2025 and ongo­ing
Career Lev­el: Upper man­age­ment

ORGANIZATION DESCRIPTION

The Cana­di­an New Music Net­work (CNMN) / Réseau cana­di­en pour les musiques nou­velles (RCMN) con­nects cre­ative music and sound com­mu­ni­ties across Cana­da. We val­ue cre­ativ­i­ty and inno­va­tion, and devel­op our pro­gram­ming through a lens of arts activism. We wel­come cre­ators, per­form­ers, writ­ers, arts pro­duc­ers, arts work­ers, ensem­bles large and small, pro­duc­tion com­pa­nies, pre­sen­ters, record labels, music edu­ca­tors, music media and tech work­ers and cre­ators, musi­col­o­gists, and listeners.

Since 2005 CNMN has sup­port­ed com­mu­ni­ty build­ing and net­work­ing, offer­ing edu­ca­tion­al and com­mu­ni­ty resources for pro­fes­sion­als and non-pro­fes­sion­als alike. CNMN mem­bers sup­port each oth­er and share oppor­tu­ni­ties and ideas, includ­ing how artists can col­lab­o­rate and advo­cate for social jus­tice and envi­ron­men­tal resilience. 

CNMN is com­mit­ted to a diverse and inclu­sive nation­al cre­ative music and sound com­mu­ni­ty. Diver­si­ty in all its forms (race, cul­ture, gen­der iden­ti­ty, sex­u­al ori­en­ta­tion, reli­gion, lan­guage, phys­i­cal abil­i­ty, age, and aes­thet­ic) is a guid­ing fac­tor in achiev­ing its goals.

CNMN’s activ­i­ties include: a bilin­gual web­site — with a search­able list­ing of mem­bers and resources; the PCM Hub, show­cas­ing cre­ative com­mu­ni­ty music projects; the Con­neX­ions Men­tor­ship pro­gram; Gathering/ FORUM — a bilin­gual, bien­ni­al con­fer­ence with a fresh top­ic and host city each iter­a­tion; and reg­u­lar events focussed on arts activism and aware­ness, knowl­edge shar­ing, com­mu­ni­ty build­ing, and networking.

CNMN rep­re­sents its mem­ber­ship and cre­ative music and sound arts to fed­er­al fund­ing bod­ies, elect­ed offi­cials, oth­er arts organ­i­sa­tions, and the media. 

CNMN is a ful­ly bilin­gual organ­i­sa­tion, com­mit­ted to com­mu­ni­cat­ing with its mem­bers in both offi­cial lan­guages. CNMN is com­mit­ted to pro­mot­ing diver­si­ty with­in the com­mu­ni­ty and seek­ing rec­on­cil­i­a­tion with Indige­nous Peo­ples in Canada.

JOB DESCRIPTION

MAIN RESPONSIBILITIES OF THE EXECUTIVE DIRECTOR

  • Direct­ing all admin­is­tra­tive aspects of the organization.
  • Work­ing close­ly with the Board of Direc­tors to devel­op and artic­u­late the organization’s vision, mis­sion and goals.
  • Devel­op­ing, orga­niz­ing and imple­ment­ing diverse pro­grams that cre­ate con­nec­tion with­in the cre­ative sound and music com­mu­ni­ty in Cana­da and abroad.
  • Main­tain­ing CNMN’s strong com­mu­ni­ty con­nec­tion through com­mu­ni­ca­tions strate­gies and com­mu­ni­ty engagement.
  • Man­ag­ing all fis­cal mat­ters includ­ing bud­get devel­op­ment, fore­cast­ing, and man­age­ment of oper­a­tional and pro­gram­ming budgets.
  • Grant writ­ing to secure fund­ing through arts coun­cils and foundations.
  • Hir­ing and man­ag­ing extra con­tract staff as required.
  • Liais­ing with nation­al and inter­na­tion­al arts organizations.
  • Mak­ing rep­re­sen­ta­tion to gov­ern­ment and oth­er agen­cies on behalf of the orga­ni­za­tion and the new music community.

QUALIFICATIONS:

  • Bilin­gual — flu­ent in Eng­lish and French, spo­ken and written
  • Train­ing in arts admin­is­tra­tion or equiv­a­lent experience
  • Knowl­edge of cre­ative music and sound prac­tices and com­mu­ni­ties in Cana­da and abroad
  • Lead­er­ship expe­ri­ence and the abil­i­ty to man­age a team
  • Strong finan­cial man­age­ment skills, espe­cial­ly in the non-prof­it cul­tur­al sector
  • Suc­cess in grant writing
  • Excel­lent inter­per­son­al skills and abil­i­ty to work with indi­vid­ual and groups in decision-making
  • Abil­i­ty to work with­out super­vi­sion and to man­age flex­i­ble hours, includ­ing week­ends, evenings and hol­i­days for spe­cial events
  • Expe­ri­ence and com­mit­ment in fos­ter­ing a cul­ture of inclu­sion and diversity
  • Famil­iar­i­ty with Excel, Word, Word­Press, Adobe Suite, Face­book, YouTube, Instagram

ADDITIONAL INFORMATION

Report­ing to: Board of Directors

Hourly: half-time con­tract from $28-$35/hr based on expe­ri­ence and skills of the cho­sen candidate.

This is a remote work position. 

How to Apply:

Please email your resume and cov­er let­ter by Jan­u­ary 15, 2024 to:

CNMN Board Search Com­mit­tee
CNMNBoard@gmail.com

Inter­views will be held by video­con­fer­enc­ing Jan­u­ary 22–26, 2024.

Down­load a PDF of this post­ing here.

Sustainable Futures — Vancouver Meeting November 6, 2023

CNMN and Music on Main’s Mod­u­lus Fes­ti­val invite you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and orga­ni­za­tions, arts work­ers and audiences. 

TIME CHANGE! 2:30 — 4:30 PM, Novem­ber 6, 2023
The Round­house | 181 Round­house Mews

Rachel Iwaasa and Julie Andreyev will present their sus­tain­abil­i­ty-relat­ed projects to launch us into a dis­cus­sion of ques­tions such as:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audi­ences. For more on our ongo­ing series of Sus­tain­able Futures Con­ver­sa­tions, please check out the Report.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Montreal Meeting June 14, 2023

 Sus­tain­able Futures  Mon­tréal
June 14, 2023, 11am ‑1pm (EDT)

Le Vivi­er / Car­refour des musiques nou­velles
Goethe Insti­tute Mon­tréal
1626 Boul. Saint-Lau­rent Bureau 100,
Mon­tréal, QC H2X 2T1


The Cana­di­an New Music Net­work and Le Vivi­er invite you to a Con­ver­sa­tion on Sus­tain­able Futures for music and sound artists and orga­ni­za­tions, art work­ers and audi­ences. The meet­ing aims to reflect col­lec­tive­ly on the issues that lie ahead and, par­tic­u­lar­ly among fun­ders, to present some issues and resources such as the Cre­ative Green Tools.

Le Vivi­er adopt­ed a green pol­i­cy in 2020 and obtained the Eco-Respon­si­ble Scene Accred­i­ta­tion for all of its actions in terms of sus­tain­able devel­op­ment. This think tank has been orga­nized to con­tin­ue in this direc­tion and on the invi­ta­tion of the CNMN to join their consultation.

On this occa­sion, we will wel­come a rep­re­sen­ta­tive of the Con­seil des arts et des let­tres du Québec as well as the Con­seil des événe­ments écore­spon­s­ables for a short pre­sen­ta­tion, fol­lowed by a ques­tion period. 

Reg­is­tra­tion at: info@levivier.ca

Sustainable Futures — Vancouver Meeting May 23, 2023

CNMN invites you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and organizations,arts work­ers and audiences.

Cana­di­an Music Cen­tre BC, 837 Davie St, Van­cou­ver, BC V6Z 1B7
12:00am ‑2:00pm May 23, 2023 — snacks will be provided

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Brandon Meeting April 21, 2023

CNMN and the Eck­hardt-Gram­maté Com­pe­ti­tion invites you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and organizations,arts work­ers and audiences.

Room 1–20 Queen Eliz­a­beth II Music Build­ing, 270 — 18th Street, Bran­don, Man­i­to­ba
11:00am ‑1:00pm April 21, 2023 — a light lunch will be provided

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Ottawa Events March 28 & 29

CNMN is col­lab­o­rat­ing with the Research Cen­tre for Music, Sound and Soci­ety at Car­leton Uni­ver­si­ty for two events relat­ed to Sus­tain­able Futures. 

Tanya Kalmanovitch presenting the Tar Sands Songbook

Lis­ten­ing to the Cli­mate Emer­gency through The Tar Sands Song­book
Tues­day, March 28, 7 – 9:30 pm, Car­leton Domin­ion-Chalmers Cen­tre, 355 Coop­er St (paid park­ing off Lis­gar St entrance)
$15 or pay-what-you-can. 

What role can lis­ten­ing play in address­ing the cli­mate emer­gency? Vio­list, com­pos­er, eth­no­mu­si­col­o­gist, and cli­mate activist Tanya Kalmanovitch presents a per­for­mance of her doc­u­men­tary the­atre piece The Tar Sands Song­book,address­ing the com­plex­i­ties of life, cul­ture, and oil-eco­nom­ics in her home­town of Fort McMur­ray. Through text, ethno­graph­ic video, and Tanya’s orig­i­nal music, the work asks us to con­sid­er our per­son­al rela­tion­ships with oil. The per­for­mance will be fol­lowed by an audi­ence talk­back discussion.

On March 29, we’ll bring togeth­er mem­bers of Ottawa’s diverse music com­mu­ni­ty for a con­ver­sa­tion on sus­tain­abil­i­ty. Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Loca­tion: Car­leton Domin­ion-Chalmer Cen­tre, 355 Coop­er St (paid park­ing off Lis­gar St entrance) Ottawa
Time: 10 am to 12 pm, Wednes­day March 29

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Halifax Meeting March 16, 2023

CNMN invites you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and organizations,arts work­ers and audiences.

The Music Room — 6181 Lady Ham­mond Rd, Hal­i­fax, NS B3K 2R9
7 pm, March 16, 2023

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

PCM Hub Open Call 2022–2023

The Cana­di­an New Music Net­work is excit­ed to call for Par­tic­i­pa­to­ry Cre­ative Music Projects to be host­ed on the online Par­tic­i­pa­to­ry Cre­ative Music Hub. Suc­cess­ful appli­cants will be pro­vid­ed fund­ing for doc­u­men­ta­tion of an exist­ing project.

Amount of grant: $800.00

Appli­ca­tion dead­line: Feb­ru­ary 20, 2023

Appli­ca­tion form here.

Dead­line for sub­mis­sion of doc­u­men­ta­tion of cho­sen projects via online upload form: April 17, 2023

What is Participatory Creative Music? 

Accord­ing to the Cana­di­an New Music Network’s Pub­lic Engage­ment Com­mit­tee, Par­tic­i­pa­to­ry Cre­ative Music is a mul­ti­tude of approach­es to cre­at­ing music in which every­one involved, regard­less of their pri­or expe­ri­ence in mak­ing music, has active input in the cre­ative process. Author­ship and deci­sion-mak­ing is shared to greater or less­er degrees, depend­ing on context.

For more infor­ma­tion and clar­i­fi­ca­tion, see Key­word Def­i­n­i­tions.

What is the Participatory Creative Music Hub?

The Hub show­cas­es peo­ple from all walks of life cre­at­ing music togeth­er. What­ev­er you call it – par­tic­i­pa­to­ry cre­ative music, com­mu­ni­ty music, jam­ming, co-com­po­si­tion, impro­vi­sa­tion, music explo­ration, lis­ten­ing games or hav­ing fun with sound – The Hub cel­e­brates music cre­ativ­i­ty for everyone. 

The main cri­te­ria for projects is that all par­tic­i­pants have active input in the cre­ative process, whether they are 4, 40 or 94 years of age, an expe­ri­enced musi­cian or mak­ing music for the first time. Projects must take COVID-19 mea­sures into account. 

What is an eligible project?

An eli­gi­ble project is a par­tic­i­pa­to­ry cre­ative music activ­i­ty already occur­ring in the com­mu­ni­ty, whether on-going or com­plet­ed. Projects may take place in the fields of health care, edu­ca­tion, social ser­vices, pris­ons and more. 

While not exclu­sive to this sec­tor, we would like to encour­age sub­mis­sions of projects occur­ring in social ser­vices and com­mu­ni­ty. Pri­or­i­ty will be giv­en to facil­i­ta­tors who are sub­mit­ting a project to the Hub for the first time.

See the Project page for exam­ples of Hub projects. 

See Key­word Def­i­n­i­tions for terminology.

Documentation

The pur­pose of this grant is to sup­port doc­u­men­ta­tion of an exist­ing PCM project to pro­vide inspi­ra­tion and tools for user groups of the Hub to make their own music. It is cru­cial that doc­u­men­ta­tion is instruc­tion­al in nature, rather than pro­mo­tion­al. Links to bio­graph­i­cal infor­ma­tion via a CNMN mem­ber page and exter­nal links are pos­si­ble on the project webpage.