What's New

Diversifying your Participatory Music Career

Promotional banner for a "Virtual Professional Development Session" with centered red text that reads "Diversifying your Participatory Music Career" and blue text below: "Virtual Professional Development Session." On the left, a colorful artistic illustration of a human head in profile, bursting with musical instruments, notes, butterflies, and ink splatters. Above the head, text reads "PCM Hub" and below "Carrefour CMP." The right side displays two stacked logos: Canadian New Music Network (Réseau canadien pour les musiques nouvelles) on top, and Laurier Centre for Music in the Community below.

On Thurs­day, March 19, from 3:30 to 5pm (EDT), join the Lau­ri­er Cen­tre for Music in the Com­mu­ni­ty and the Cana­di­an New Music Net­work for a vir­tu­al pro­fes­sion­al devel­op­ment ses­sion for par­tic­i­pa­to­ry music prac­ti­tion­ers, fea­tur­ing musi­cian and sound artist Guil­laume Jab­bour. This hands-on work­shop explores strate­gies in find­ing oppor­tu­ni­ties in new sec­tors — such as edu­ca­tion, health and com­mu­ni­ty set­tings — and fos­ter­ing new rela­tion­ships that can lead to cre­ative projects.

Guil­laume will talk about his work in sec­tors, and par­tic­i­pants will have oppor­tu­ni­ties to devel­op strate­gies for their projects. Whether you are an artist in the first years of your career, or are well-estab­lished in cer­tain cir­cles, come with a new idea you are inter­est­ed in propos­ing to devel­op new partners/relationships in a new sector.

Prac­ti­cal Work­shop: Please come with a project in mind, ide­al­ly with exist­ing descrip­tion of the project that we will use to devel­op for dif­fer­ent sectors.

This free talk is part of the Pro­fes­sion­al Devel­op­ment Series: Grow your career in Par­tic­i­pa­to­ry Music. Oth­er top­ics for the year will focus on engag­ing in out­reach, part­ner­ship build­ing, and how to eval­u­ate impact.

Reg­is­tra­tion for the vir­tu­al ses­sion is free. The Zoom link will be emailed to you a few days in advance.

CALL FOR APPLICATIONS: EXECUTIVE DIRECTOR

Date Post­ed: Jan­u­ary 26, 2026
Appli­ca­tion Dead­line: Feb­ru­ary 28, 2026
Start Date: ASAP 2026
Orga­ni­za­tion’s Field/Discipline: The Arts — Music and sound
Term: Min­i­mum one year as of start date
Career Lev­el: Upper man­age­ment

ABOUT CNMN/RCMN — New name RCMSN

The Cana­di­an New Music Net­work (CNMN) / Réseau cana­di­en pour les musiques nou­velles (RCMN) con­nects cre­ative music and sound com­mu­ni­ties across Cana­da. We val­ue cre­ativ­i­ty and inno­va­tion, and devel­op our pro­gram­ming through a lens of arts activism. We wel­come cre­ators, per­form­ers, writ­ers, arts pro­duc­ers, arts work­ers, ensem­bles large and small, pro­duc­tion com­pa­nies, pre­sen­ters, record labels, music edu­ca­tors, music media and tech work­ers and cre­ators, musi­col­o­gists, and listeners.

With­in the next year, CNMN will com­plete its tran­si­tion to a new name and bilin­gual acronym:  RCMSN. This name reflects both the French name (Réseau de créa­tion musi­cale et sonore), and the Eng­lish (Cre­ative Music and Sound Net­work)A new inter­ac­tive web­site is also in devel­op­ment; these changes offer scope and breadth to our com­mu­ni­ty, inclu­sive of prac­ti­tion­ers and advo­cates for music and sound in many dif­fer­ent forms.  Mov­ing away from the in-per­son Forum mod­el of pre­vi­ous years, our focus now will be on the strength­en­ing of our online hub, encour­ag­ing man­i­fold sound prac­tices, offer­ing prag­mat­ic resources to our mem­bers, and fea­tur­ing new ways to stay in touch across our vast and diverse country.

Since 2005 CNMN has sup­port­ed com­mu­ni­ty build­ing and net­work­ing, offer­ing edu­ca­tion­al and com­mu­ni­ty resources for pro­fes­sion­als and non-pro­fes­sion­als alike. CNMN mem­bers sup­port each oth­er and share oppor­tu­ni­ties and ideas, includ­ing how artists can col­lab­o­rate and advo­cate for social jus­tice and envi­ron­men­tal resilience.

RCMSN is com­mit­ted to a diverse and inclu­sive nation­al cre­ative music and sound com­mu­ni­ty. Diver­si­ty in all its forms (race, cul­ture, gen­der iden­ti­ty, sex­u­al ori­en­ta­tion, reli­gion, lan­guage, phys­i­cal abil­i­ty, age, and aes­thet­ic) is a guid­ing fac­tor in achiev­ing its goals.

CNMN’s activ­i­ties include: a bilin­gual web­site — with a search­able list­ing of mem­bers and resources; the PCM Hub, show­cas­ing cre­ative com­mu­ni­ty music projects; and reg­u­lar events focussed on arts activism and aware­ness, knowl­edge shar­ing, com­mu­ni­ty build­ing, and networking.

RCMSN rep­re­sents its mem­ber­ship and cre­ative music and sound arts to fed­er­al fund­ing bod­ies, oth­er arts organ­i­sa­tions, and the media.

CNMN is a ful­ly bilin­gual organ­i­sa­tion, com­mit­ted to com­mu­ni­cat­ing with its mem­bers in both offi­cial lan­guages. CNMN is com­mit­ted to pro­mot­ing diver­si­ty with­in the com­mu­ni­ty and seek­ing rec­on­cil­i­a­tion with Indige­nous Peo­ples in Canada. 

JOB DESCRIPTION

MAIN RESPONSIBILITIES OF THE EXECUTIVE DIRECTOR

  • Direct­ing and over­see­ing all admin­is­tra­tive aspects of the organization. 
  • Work­ing close­ly with the Board of Direc­tors to artic­u­late the organization’s vision, mis­sion and goals.
  • Main­tain­ing RCM­SN’s strong com­mu­ni­ty con­nec­tion through com­mu­ni­ty engage­ment, net­work­ing with nation­al arts organizations.
  • Over­see­ing the cur­rent major project of re-mak­ing the web­site accord­ing to the pre-deter­mined vision estab­lished by the pre­vi­ous direc­tor, board of direc­tors and staff. You would be work­ing close­ly with a web­mas­ter, bring­ing your spe­cif­ic exper­tise and expe­ri­ence to con­tribute to and over­see the process. 
  • Man­ag­ing all fis­cal mat­ters includ­ing bud­get devel­op­ment, fore­cast­ing, and man­age­ment of oper­a­tional and project budgets.
  • Lead­ing and sup­port­ing grant writ­ing and fundrais­ing efforts with staff and/or grant writ­ers to secure fund­ing through arts coun­cils and foundations.
  • Imple­ment­ing the Google for Non-Prof­its sys­tem, and over­see­ing the pro­to­cols asso­ci­at­ed with Québec’s Loi 25.
  • Work­ing close­ly with the com­mu­ni­ca­tion’s man­ag­er and admin­is­tra­tive assis­tant as a col­lab­o­ra­tive, inter­de­pen­dent unit.
  • Hir­ing and man­ag­ing extra con­tract staff as required.
  • Avail­abil­i­ty to work on week­ends, evenings and stat hol­i­days as need­ed to par­tic­i­pate in sig­nif­i­cant events.

YOU BRING TO THIS ROLE

  • Train­ing in arts admin­is­tra­tion or equiv­a­lent experience
  • Knowl­edge of and excite­ment about cre­ative music and sound prac­tices and com­mu­ni­ties in Cana­da and abroad
  • Inter­est in and gen­er­al under­stand­ing of web-devel­op­ment is a strong attribute, though not required.
  • Strong com­mu­ni­ca­tion skills. Flu­en­cy in both French and Eng­lish would be an asset
  • Lead­er­ship expe­ri­ence and the abil­i­ty to man­age a team of 2 members
  • Capac­i­ty to com­mu­ni­cate effi­cient­ly and report back to the board of directors.
  • Strong finan­cial man­age­ment skills, espe­cial­ly in the non-prof­it cul­tur­al sector
  • Excel­lent inter­per­son­al skills and abil­i­ty to work with indi­vid­u­als and groups in decision-making
  • Expe­ri­ence and com­mit­ment in fos­ter­ing a cul­ture of inclu­sion and diversity
  • Famil­iar­i­ty with dig­i­tal tools includ­ing Excel, Word, Word­Press, Adobe Suite, Face­book, YouTube, Insta­gram as well as col­lab­o­ra­tion tools such as Google Suite

WE OFFER

  • Flex­i­ble scheduling 
  • Remote work environment

POSITION DETAILS

  • Report­ing to: Board of Directors
  • Con­tract terms: half-time con­tract (20 hours per week for 48 weeks), 1 year term with pos­si­bil­i­ty to renew as fund­ing allows — this is also sub­ject to mod­i­fi­ca­tion by poten­tial­ly increas­ing the amount of bill­able hours 
  • Com­pen­sa­tion: $30-$35/hr based on expe­ri­ence and skills of the cho­sen candidate.

Note: This is a remote work posi­tion. The two part-time staff are locat­ed in Montréal.

HOW TO APPLY

Please email your resume and cov­er let­ter by Feb­ru­ary 28 to the fol­low­ing two addresses:

ATTN: CNMN Board Search Com­mit­tee + CC Lib­erté-Anne Lym­be­ri­ou (board co-pres­i­dent) assistant.cnmn@gmail.com cc l.a.lymberiou@gmail.com

Inter­views will be held by videoconferencing.

To learn more about CNMN/RCMN, please vis­it our web­site: www.newmusicnetwork.ca | www.reseaumusiquesnouvelles.ca

PCM Hub Open Call 2025–2026

PCM Hub: Open Call / Appel ouvert. Illustration of colorful raised hands with music notes on palms, reaching towards butterflies and music notes. Logos for Canadian New Music Network (top right) and Laurier Centre for Music in the Community (bottom right).

The Cana­di­an New Music Net­work is excit­ed to call for Par­tic­i­pa­to­ry Cre­ative Music Projects to be host­ed on the online Par­tic­i­pa­to­ry Cre­ative Music Hub. Suc­cess­ful appli­cants will be pro­vid­ed fund­ing for doc­u­men­ta­tion of an exist­ing project.

Amount of grant: $600.00

Appli­ca­tion dead­line: Feb­ru­ary 27, 2026

Appli­ca­tion form

Dead­line for sub­mis­sion of doc­u­men­ta­tion of cho­sen projects via online upload form: May 1, 2026.

What is Participatory Creative Music? 


Accord­ing to the Cana­di­an New Music Network’s Pub­lic Engage­ment Com­mit­tee, Par­tic­i­pa­to­ry Cre­ative Music is a mul­ti­tude of approach­es to cre­at­ing music in which every­one involved, regard­less of their pri­or expe­ri­ence in mak­ing music, has active input in the cre­ative process. Author­ship and deci­sion-mak­ing is shared to greater or less­er degrees, depend­ing on context.

For more infor­ma­tion and clar­i­fi­ca­tion, see Key­word Def­i­n­i­tions.

What is the Participatory Creative Music Hub?


The Hub show­cas­es peo­ple from all walks of life cre­at­ing music togeth­er. What­ev­er you call it – par­tic­i­pa­to­ry cre­ative music, com­mu­ni­ty music, jam­ming, co-com­po­si­tion, impro­vi­sa­tion, music explo­ration, lis­ten­ing games or hav­ing fun with sound – The Hub cel­e­brates music cre­ativ­i­ty for everyone. 

The main cri­te­ria for projects is that all par­tic­i­pants have active input in the cre­ative process, whether they are 4, 40 or 94 years of age, an expe­ri­enced musi­cian or mak­ing music for the first time.

What is an eligible project?


An eli­gi­ble project is a par­tic­i­pa­to­ry cre­ative music activ­i­ty already occur­ring in the com­mu­ni­ty, whether on-going or com­plet­ed. Projects may take place in the fields of health care, edu­ca­tion, social ser­vices, pris­ons and more. 

While not exclu­sive to this par­tic­i­pant group, we would like to encour­age sub­mis­sions of projects occur­ring with chil­dren and youth in the com­mu­ni­ty, includ­ing inter­gen­er­a­tional projects. Projects out­side of for­mal school set­tings are strong­ly encour­aged, includ­ing those projects that serve chil­dren and youth in excep­tion­al cir­cum­stances. Exam­ples of par­tic­i­pants include, but are not restrict­ed to:

  • New­com­er fam­i­lies in com­mu­ni­ty centres,
  • Street-affect­ed youth groups or group homes, 
  • Patients ages 3–5 years of age in chil­dren’s hospitals, 
  • and more!

Eli­gi­ble projects are wide and var­ied. Pri­or­i­ty will be giv­en to facil­i­ta­tors who are sub­mit­ting a project to the Hub for the first time.

See the Project page for exam­ples of Hub projects. 

See Key­word Def­i­n­i­tions for terminology.

Documentation


The pur­pose of this grant is to sup­port doc­u­men­ta­tion of an exist­ing PCM project to pro­vide inspi­ra­tion and tools for user groups of the Hub to make their own music. It is cru­cial that doc­u­men­ta­tion is instruc­tion­al in nature, rather than pro­mo­tion­al. Links to bio­graph­i­cal infor­ma­tion via a CNMN mem­ber page and exter­nal links are pos­si­ble on the project webpage.

Cultivating a Portfolio Career with Participatory Music

Promotional banner for a "Virtual Professional Development Session" with centered red text that reads "Cultivating a Portfolio Career with Participatory Music" and blue text below: "Virtual Professional Development Session." On the left, a colorful artistic illustration of a human head in profile, bursting with musical instruments, notes, butterflies, and ink splatters. Above the head, text reads "PCM Hub" and below "Carrefour CMP." The right side displays two stacked logos: Canadian New Music Network (Réseau canadien pour les musiques nouvelles) on top, and Laurier Centre for Music in the Community below.

On Thurs­day, Novem­ber 20, from 3:30 to 5pm (EDT), join the Lau­ri­er Cen­tre for Music in the Com­mu­ni­ty and the Cana­di­an New Music Net­work for a sec­ond vir­tu­al pro­fes­sion­al devel­op­ment ses­sion for par­tic­i­pa­to­ry music prac­ti­tion­ers, fea­tur­ing Cana­di­an musi­cians who have cul­ti­vat­ed par­tic­i­pa­to­ry music projects through­out the course of their mul­ti­fac­eted careers in per­form­ing, com­pos­ing, teach­ing, and facilitating.

This free talk is part of the Pro­fes­sion­al Devel­op­ment Series: Grow your career in Par­tic­i­pa­to­ry Music. Oth­er top­ics for the year will focus on engag­ing in out­reach, part­ner­ship build­ing, and how to eval­u­ate impact.

Reg­is­tra­tion for the vir­tu­al ses­sion is free. The Zoom link will be emailed to you a few days in advance.

Invitation to the Canadian New Music Network’s 2025 Annual General Meeting and Board elections

We look for­ward to see­ing you on Tues­day, Octo­ber 7, 2025, at noon EDT, for CNM­N’s Annu­al Gen­er­al Meet­ing. The Gen­er­al Meet­ing will be an oppor­tu­ni­ty to present the 2024–2025 annu­al report, and to vote in new mem­bers for the Board of Direc­tors for the 2025–2027 mandate.


Please make sure your 2025 mem­ber­ship dues are paid if you would like to vote, and remem­ber that mem­ber­ship fees are PWYC.


The Cana­di­an New Music Net­work invites You to help shape our future! We are look­ing for nom­i­na­tions to our Board of Direc­tors. You can nom­i­nate your­self, or anoth­er indi­vid­ual. Elect­ed by CNMN mem­bers at our AGM in the Fall of 2025, Board mem­bers serve two-year terms which are renew­able. Please sub­mit your CNMN Board nom­i­na­tion form by Sep­tem­ber 30, 2025.


As a Board mem­ber you will play an active role in shap­ing and mov­ing for­ward this impor­tant part of the Cana­di­an music and sound art scene. We would be par­tic­u­lar­ly inter­est­ed in:

  • Nom­i­na­tions from Atlantic Provinces
  • Peo­ple with expe­ri­ence in finance, pub­lic rela­tions, and gov­er­nance (desir­able but not required)

The Board meets reg­u­lar­ly and works close­ly, this year devel­op­ing some excit­ing new ini­tia­tives. Expec­ta­tions of your time would be 3–4 hours a month, includ­ing meet­ings, and group or indi­vid­ual tasks. We invite you to join us with your ener­gy and ideas, as we con­tin­ue our nation­al web of arts professionals.

Planting Seeds: How to initiate a Participatory Music Project

Promotional banner for a "Virtual Professional Development Session" with centered red text that reads "Planting Seeds: How to initiate a Participatory Music Project" and blue text below: "Virtual Professional Development Session." On the left, a colorful artistic illustration of a human head in profile, bursting with musical instruments, notes, butterflies, and ink splatters. Above the head, text reads "PCM Hub" and below "Carrefour CMP." The right side displays two stacked logos: Canadian New Music Network (Réseau canadien pour les musiques nouvelles) on top, and Laurier Centre for Music in the Community below.

On Thurs­day, Sep­tem­ber 25, from 3:30 to 5pm (EDT), join the Lau­ri­er Cen­tre for Music in the Com­mu­ni­ty and the Cana­di­an New Music Net­work for a vir­tu­al pro­fes­sion­al devel­op­ment ses­sion for par­tic­i­pa­to­ry music prac­ti­tion­ers, fea­tur­ing two Cana­di­an musi­cians who ini­ti­at­ed par­tic­i­pa­to­ry music projects that have thrived over years.

This free talk is part of the Pro­fes­sion­al Devel­op­ment Series: Grow your career in Par­tic­i­pa­to­ry Music. Oth­er top­ics for the year will focus on grow­ing a port­fo­lio career, engag­ing in out­reach, part­ner­ship build­ing, and how to eval­u­ate impact.

Reg­is­tra­tion for the vir­tu­al ses­sion is free. The Zoom link will be emailed to you a few days in advance.

GIFT — Social Prescribing as an Improvisatory Practice

Ini­ti­at­ed by musi­cian and Par­tic­i­pa­to­ry Cre­ative Music Hub’s Project Lead, Louise Camp­bell, the GIFT project presents works for solo clar­inet, solo trum­pet, elec­tron­ics and video pro­jec­tion, and is infused with the gen­eros­i­ty of shared expe­ri­ences and co-cre­ation processes. 

On the occa­sion of GIFT and as part of FLUX, we are pleased to invite you to the dou­ble launch par­ty of CNM­N’s Cre­ative Music in Health resource as well as Revue Cir­cuit’s issue 34.2 on Par­tic­i­pa­to­ry Cre­ative Music. The evening’s events will include:

  • A lec­ture on Social Pre­scrib­ing as an Impro­visato­ry Prac­tice and asso­ci­at­ed health out­comes, mod­er­at­ed by Dr. Rebec­ca Barnstaple;
  • A Round Table dis­cus­sion fea­tur­ing guests Pierre Vachon (La SAMS’ Cofounder), Ter­ri Hron (Edi­tor of Revue Cir­cuit) and Louise Camp­bell (GIFT’s Artis­tic Director); 
  • An inter­ac­tive demon­stra­tion of arts and health ani­ma­tion, led by Dr. Rebec­ca Barn­sta­ple and Louise Campbell.

Doors open at 5:30pm for snacks at 5:30pm with dis­cus­sions and activ­i­ties at 6:00pm!On Octo­ber 8 and 9 at Édi­fice Wilder, join us for the GIFT con­cert and its post-con­cert talk!

FLUX Festival:  Sound and Collective Reflections

The Cana­di­an New Music Net­work is delight­ed to announce the launch of FLUX, a new fes­ti­val that aims to fos­ter greater inclu­siv­i­ty and to val­ue the diver­si­ty of our music and sound communities. 

From Octo­ber 4 to 10, 2024, five venues and sev­en local orga­ni­za­tions invite you to reimag­ine Montréal’s sound­scape around the theme: Sound and Col­lec­tive Reflections 

For sev­en days, FLUX will present a diverse line­up of local and inter­na­tion­al artists, offer­ing a rich tapes­try of sounds and expe­ri­ences for every­one who per­forms and lis­tens to exper­i­men­tal music.

The fes­ti­val will also host work­shops, artists talks, com­mu­ni­ty round­ta­bles, and an aca­d­e­m­ic con­fer­ence, encour­ag­ing dia­logue and col­lab­o­ra­tion with­in and across communities. 

Ini­ti­at­ed by Arts in the Mar­gins, FLUX is the out­come of reflec­tion and col­lab­o­ra­tion between sev­er­al cre­ative music orga­ni­za­tions, includ­ing Inno­va­tions en con­cert, Mar­di Spaghet­ti, Le Vivi­er, the Cana­di­an New Music Net­work, McGill’s Lab­o­ra­to­ry of Urban Cul­ture, and the Inter­na­tion­al Insti­tute for Crit­i­cal Stud­ies in Impro­vi­sa­tion.

St John’s- Sound Symposium

Sus­tain­able Futures: How can music orga­ni­za­tions respond to the cli­mate emer­gency and its social impacts ?

As part of the Sound Sym­po­sium Fes­ti­val the Cana­di­an New Music Net­work is pleased to invite you to a con­ver­sa­tion on ways to envi­sion a sus­tain­able future for artists and orga­ni­za­tions involved in music and sound cre­ation, as well as for cul­tur­al work­ers and audiences.part of the Long­shad­ow Fes­ti­val, the Cana­di­an New Music Net­work is pleased to invite you to a con­ver­sa­tion on ways to envi­sion a sus­tain­able future for artists and orga­ni­za­tions involved in music and sound cre­ation, as well as for cul­tur­al work­ers and audiences.

July 17, 2024 from 1:30pm at the First Light Event Space, 42 Ban­ner­man Street in St. John’s, NL.

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

·       How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?

·  How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?

·  What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sec­tor? What is rea­son­able or radical?

·  How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the chal­leng­ing emo­tions that trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 

· How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

For more infor­ma­tion on our ongo­ing series of Con­ver­sa­tions, please check out our Sus­tain­able Futures Meet­ings’ Report.

This con­ver­sa­tion will be mod­er­at­ed by Raphaël Foisy-Cou­ture, CNMN’s Exec­u­tive Direc­tor, in part­ner­ship with Ter­ri Hron, Musi­cian and Chief Edi­tor of Revue Cir­cuit, and for­mer CNMN’s ED as well as Sus­tain­able Futures Project Lead.

The dis­cus­sion will be intro­duced by a short musi­cal activ­i­ty by Kathy Kennedy.

Food and bev­er­ages will be provided.

Please RSVP at: dir@reseaumusiquesnouvelles.ca

CNMN would like to thank the Sound Sym­po­sium fes­ti­val for its gen­er­ous hos­pi­tal­i­ty and for their help in mak­ing this con­ver­sa­tion possible.

CNMN acknowl­edge the finan­cial sup­port of FACTOR, the Gov­ern­ment of Cana­da and of Cana­das pri­vate radio broadcasters.

Yellowknife — Longshadow

Sus­tain­able Futures: How can music orga­ni­za­tions respond to the cli­mate emer­gency and its social impacts ?

As part of the Long­shad­ow Fes­ti­val, the Cana­di­an New Music Net­work is pleased to invite you to a con­ver­sa­tion on ways to envi­sion a sus­tain­able future for artists and orga­ni­za­tions involved in music and sound cre­ation, as well as for cul­tur­al work­ers and audi­ences. This con­ver­sa­tion marks an impor­tant mile­stone in the exis­tence of CNMN, as it is our first par­tic­i­pa­tion in an event in Yel­lowknife and the North­west Territories! 

June 9th, 2024, from 11 am to 1 PM at Car­men Braden’s stu­dio — above Fiddles+Stix Music Store, 5018–52nd Street, 2nd floor.

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

·       How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?

·  How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?

·  What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sec­tor? What is rea­son­able or radical?

·  How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the chal­leng­ing emo­tions that trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 

· How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

For more infor­ma­tion on our ongo­ing series of Con­ver­sa­tions, please check out our Sus­tain­able Futures Meet­ings’ Report.

This con­ver­sa­tion will be mod­er­at­ed by Raphaël Foisy-Cou­ture, CNMN’s Exec­u­tive Direc­tor, in part­ner­ship with Car­men Braden, founder and co-direc­tor of the Long­shad­ow Fes­ti­val. This con­ver­sa­tion will include short pre­sen­ta­tions by Rob Elo and the Gar­neau String Quartet. 

Food and bev­er­ages will be provided.

Please RSVP at: dir@reseaumusiquesnouvelles.ca or at producer@carmenbraden.com

CNMN would like to thank the Long­shad­ow fes­ti­val for its gen­er­ous hos­pi­tal­i­ty and for their help in mak­ing this con­ver­sa­tion possible.

CNMN acknowl­edges the finan­cial sup­port of FACTOR, the Gov­ern­ment of Cana­da and of Canada’s pri­vate radio broadcasters.

CALL FOR APPLICATIONS: EXECUTIVE DIRECTOR

Date Post­ed: Octo­ber 24, 2023
Appli­ca­tion Dead­line: Jan­u­ary 15, 2024
Start Date: Feb­ru­ary 2024
Province: Que­bec or Ontario — oth­er provinces con­sid­ered
City: Mon­tréal or Toron­to — oth­er cities con­sid­ered
Orga­ni­za­tion’s Field/Discipline: The Arts
Term: Feb­ru­ary 1, 2024 — Jan­u­ary 31, 2025 and ongo­ing
Career Lev­el: Upper man­age­ment

ORGANIZATION DESCRIPTION

The Cana­di­an New Music Net­work (CNMN) / Réseau cana­di­en pour les musiques nou­velles (RCMN) con­nects cre­ative music and sound com­mu­ni­ties across Cana­da. We val­ue cre­ativ­i­ty and inno­va­tion, and devel­op our pro­gram­ming through a lens of arts activism. We wel­come cre­ators, per­form­ers, writ­ers, arts pro­duc­ers, arts work­ers, ensem­bles large and small, pro­duc­tion com­pa­nies, pre­sen­ters, record labels, music edu­ca­tors, music media and tech work­ers and cre­ators, musi­col­o­gists, and listeners.

Since 2005 CNMN has sup­port­ed com­mu­ni­ty build­ing and net­work­ing, offer­ing edu­ca­tion­al and com­mu­ni­ty resources for pro­fes­sion­als and non-pro­fes­sion­als alike. CNMN mem­bers sup­port each oth­er and share oppor­tu­ni­ties and ideas, includ­ing how artists can col­lab­o­rate and advo­cate for social jus­tice and envi­ron­men­tal resilience. 

CNMN is com­mit­ted to a diverse and inclu­sive nation­al cre­ative music and sound com­mu­ni­ty. Diver­si­ty in all its forms (race, cul­ture, gen­der iden­ti­ty, sex­u­al ori­en­ta­tion, reli­gion, lan­guage, phys­i­cal abil­i­ty, age, and aes­thet­ic) is a guid­ing fac­tor in achiev­ing its goals.

CNMN’s activ­i­ties include: a bilin­gual web­site — with a search­able list­ing of mem­bers and resources; the PCM Hub, show­cas­ing cre­ative com­mu­ni­ty music projects; the Con­neX­ions Men­tor­ship pro­gram; Gathering/ FORUM — a bilin­gual, bien­ni­al con­fer­ence with a fresh top­ic and host city each iter­a­tion; and reg­u­lar events focussed on arts activism and aware­ness, knowl­edge shar­ing, com­mu­ni­ty build­ing, and networking.

CNMN rep­re­sents its mem­ber­ship and cre­ative music and sound arts to fed­er­al fund­ing bod­ies, elect­ed offi­cials, oth­er arts organ­i­sa­tions, and the media. 

CNMN is a ful­ly bilin­gual organ­i­sa­tion, com­mit­ted to com­mu­ni­cat­ing with its mem­bers in both offi­cial lan­guages. CNMN is com­mit­ted to pro­mot­ing diver­si­ty with­in the com­mu­ni­ty and seek­ing rec­on­cil­i­a­tion with Indige­nous Peo­ples in Canada.

JOB DESCRIPTION

MAIN RESPONSIBILITIES OF THE EXECUTIVE DIRECTOR

  • Direct­ing all admin­is­tra­tive aspects of the organization.
  • Work­ing close­ly with the Board of Direc­tors to devel­op and artic­u­late the organization’s vision, mis­sion and goals.
  • Devel­op­ing, orga­niz­ing and imple­ment­ing diverse pro­grams that cre­ate con­nec­tion with­in the cre­ative sound and music com­mu­ni­ty in Cana­da and abroad.
  • Main­tain­ing CNMN’s strong com­mu­ni­ty con­nec­tion through com­mu­ni­ca­tions strate­gies and com­mu­ni­ty engagement.
  • Man­ag­ing all fis­cal mat­ters includ­ing bud­get devel­op­ment, fore­cast­ing, and man­age­ment of oper­a­tional and pro­gram­ming budgets.
  • Grant writ­ing to secure fund­ing through arts coun­cils and foundations.
  • Hir­ing and man­ag­ing extra con­tract staff as required.
  • Liais­ing with nation­al and inter­na­tion­al arts organizations.
  • Mak­ing rep­re­sen­ta­tion to gov­ern­ment and oth­er agen­cies on behalf of the orga­ni­za­tion and the new music community.

QUALIFICATIONS:

  • Bilin­gual — flu­ent in Eng­lish and French, spo­ken and written
  • Train­ing in arts admin­is­tra­tion or equiv­a­lent experience
  • Knowl­edge of cre­ative music and sound prac­tices and com­mu­ni­ties in Cana­da and abroad
  • Lead­er­ship expe­ri­ence and the abil­i­ty to man­age a team
  • Strong finan­cial man­age­ment skills, espe­cial­ly in the non-prof­it cul­tur­al sector
  • Suc­cess in grant writing
  • Excel­lent inter­per­son­al skills and abil­i­ty to work with indi­vid­ual and groups in decision-making
  • Abil­i­ty to work with­out super­vi­sion and to man­age flex­i­ble hours, includ­ing week­ends, evenings and hol­i­days for spe­cial events
  • Expe­ri­ence and com­mit­ment in fos­ter­ing a cul­ture of inclu­sion and diversity
  • Famil­iar­i­ty with Excel, Word, Word­Press, Adobe Suite, Face­book, YouTube, Instagram

ADDITIONAL INFORMATION

Report­ing to: Board of Directors

Hourly: half-time con­tract from $28-$35/hr based on expe­ri­ence and skills of the cho­sen candidate.

This is a remote work position. 

How to Apply:

Please email your resume and cov­er let­ter by Jan­u­ary 15, 2024 to:

CNMN Board Search Com­mit­tee
CNMNBoard@gmail.com

Inter­views will be held by video­con­fer­enc­ing Jan­u­ary 22–26, 2024.

Down­load a PDF of this post­ing here.

Sustainable Futures — Vancouver Meeting November 6, 2023

CNMN and Music on Main’s Mod­u­lus Fes­ti­val invite you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and orga­ni­za­tions, arts work­ers and audiences. 

TIME CHANGE! 2:30 — 4:30 PM, Novem­ber 6, 2023
The Round­house | 181 Round­house Mews

Rachel Iwaasa and Julie Andreyev will present their sus­tain­abil­i­ty-relat­ed projects to launch us into a dis­cus­sion of ques­tions such as:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audi­ences. For more on our ongo­ing series of Sus­tain­able Futures Con­ver­sa­tions, please check out the Report.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Montreal Meeting June 14, 2023

 Sus­tain­able Futures  Mon­tréal
June 14, 2023, 11am ‑1pm (EDT)

Le Vivi­er / Car­refour des musiques nou­velles
Goethe Insti­tute Mon­tréal
1626 Boul. Saint-Lau­rent Bureau 100,
Mon­tréal, QC H2X 2T1


The Cana­di­an New Music Net­work and Le Vivi­er invite you to a Con­ver­sa­tion on Sus­tain­able Futures for music and sound artists and orga­ni­za­tions, art work­ers and audi­ences. The meet­ing aims to reflect col­lec­tive­ly on the issues that lie ahead and, par­tic­u­lar­ly among fun­ders, to present some issues and resources such as the Cre­ative Green Tools.

Le Vivi­er adopt­ed a green pol­i­cy in 2020 and obtained the Eco-Respon­si­ble Scene Accred­i­ta­tion for all of its actions in terms of sus­tain­able devel­op­ment. This think tank has been orga­nized to con­tin­ue in this direc­tion and on the invi­ta­tion of the CNMN to join their consultation.

On this occa­sion, we will wel­come a rep­re­sen­ta­tive of the Con­seil des arts et des let­tres du Québec as well as the Con­seil des événe­ments écore­spon­s­ables for a short pre­sen­ta­tion, fol­lowed by a ques­tion period. 

Reg­is­tra­tion at: info@levivier.ca

Sustainable Futures — Vancouver Meeting May 23, 2023

CNMN invites you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and organizations,arts work­ers and audiences.

Cana­di­an Music Cen­tre BC, 837 Davie St, Van­cou­ver, BC V6Z 1B7
12:00am ‑2:00pm May 23, 2023 — snacks will be provided

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Brandon Meeting April 21, 2023

CNMN and the Eck­hardt-Gram­maté Com­pe­ti­tion invites you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and organizations,arts work­ers and audiences.

Room 1–20 Queen Eliz­a­beth II Music Build­ing, 270 — 18th Street, Bran­don, Man­i­to­ba
11:00am ‑1:00pm April 21, 2023 — a light lunch will be provided

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Ottawa Events March 28 & 29

CNMN is col­lab­o­rat­ing with the Research Cen­tre for Music, Sound and Soci­ety at Car­leton Uni­ver­si­ty for two events relat­ed to Sus­tain­able Futures. 

Tanya Kalmanovitch presenting the Tar Sands Songbook

Lis­ten­ing to the Cli­mate Emer­gency through The Tar Sands Song­book
Tues­day, March 28, 7 – 9:30 pm, Car­leton Domin­ion-Chalmers Cen­tre, 355 Coop­er St (paid park­ing off Lis­gar St entrance)
$15 or pay-what-you-can. 

What role can lis­ten­ing play in address­ing the cli­mate emer­gency? Vio­list, com­pos­er, eth­no­mu­si­col­o­gist, and cli­mate activist Tanya Kalmanovitch presents a per­for­mance of her doc­u­men­tary the­atre piece The Tar Sands Song­book,address­ing the com­plex­i­ties of life, cul­ture, and oil-eco­nom­ics in her home­town of Fort McMur­ray. Through text, ethno­graph­ic video, and Tanya’s orig­i­nal music, the work asks us to con­sid­er our per­son­al rela­tion­ships with oil. The per­for­mance will be fol­lowed by an audi­ence talk­back discussion.

On March 29, we’ll bring togeth­er mem­bers of Ottawa’s diverse music com­mu­ni­ty for a con­ver­sa­tion on sus­tain­abil­i­ty. Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Loca­tion: Car­leton Domin­ion-Chalmer Cen­tre, 355 Coop­er St (paid park­ing off Lis­gar St entrance) Ottawa
Time: 10 am to 12 pm, Wednes­day March 29

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca

Sustainable Futures — Halifax Meeting March 16, 2023

CNMN invites you to a con­ver­sa­tion envi­sion­ing Sus­tain­able Futures for music and sound artists and organizations,arts work­ers and audiences.

The Music Room — 6181 Lady Ham­mond Rd, Hal­i­fax, NS B3K 2R9
7 pm, March 16, 2023

Join us in a facil­i­tat­ed dis­cus­sion of ques­tions including:

  • How can music and sound orga­ni­za­tions sup­port artis­tic works and ini­tia­tives that both pro­mote greater aware­ness of cli­mate issues and engage in the author­ing of a health­i­er world?
  • How is lan­guage and pol­i­cy shift­ing to address the impact of cli­mate on music and sound prac­tice and presentation?
  • What tools and sup­port can arts orga­ni­za­tions like CNMN offer to sup­port the con­tin­ued rel­e­vance and via­bil­i­ty of our sector?What is rea­son­able or radical?
  • How can we as indi­vid­u­als and as a com­mu­ni­ty process and move through the  chal­leng­ing emo­tions that  trans­for­ma­tion and sus­tain­abil­i­ty may evoke: from (eco)grief, com­pla­cen­cy, com­plic­i­ty, to over­whelm and isolation. 
  • How do we ground our orga­ni­za­tions and our­selves in prac­ti­cal opti­mism, tak­ing tan­gi­ble steps towards a more sus­tain­able world?

Par­tic­i­pants will include pre­sen­ters, fund­ing orga­ni­za­tions, artists and researchers from and for a broad range of cre­ative music and sound prac­tices and audiences.

Please RSVP to Ter­ri Hron at dir@reseaumusiquesnouvelles.ca